Russ Meyer is one of my absolute favourite
directors as a purveyor of camp fun, cheekiness and sleaze. His movies are
always a joy to watch if you have a silly sense of humour, and he often casts
women as supremely powerful and sexually aggressive. He is also a famous breast
fetishist, and chose his leading ladies accordingly. I had to review this movie
after hearing about the death of Haji earlier this month – Haji was a Go-go
dancer and this was one of her most famous movies.
Director: Russ Meyer
Stars: Tura Santana, Haji, Lori Williams
Language: English
Length: 83min
Ratings: UK 18, USA Unrated – (Much is made of the violence
in this film, but it is camp and exaggerated – there is brief nudity but most
of the ‘good bits’ are cut out of shot)
Bisexual Characters: Varla, Billie
(Rosie is a lesbian)
Description: Three thrill seeking and deadly Go-go dancers
in fast cars set off on a killing spree in the desert, kidnapping the
young girlfriend of one of their victims before going after an old man’s money.
Fast cars, karate chopping action and cheesy innuendo abounds.
Overall Thoughts
I first watched this film when I was around
seventeen, when I was first discovering Russ Meyer and I have to say, I still
find it wildly entertaining. Faster Pussycat, Kill! Kill! is considered to be Meyer’s magnum opus, and is
a complete cult classic. It is an interesting film to watch from a female
empowerment perspective as for its time (mid-sixties) the three central
characters are refreshingly subversive. Varla, Rosie and Billie are all
dominant, fun-loving, violent and unapologetic – which may or may not be your
cup of tea, but is certainly ahead of its time. Women are seen again and again
beating men in challenges of strength, wit and even drag racing in this movie,
and even though their bodies all conform to a very particular ‘type’, they are
definitely in charge of their own sexual destinies.
Presentation of Bisexuality
Bisexual
women are often found in Russ Meyer’s work, and this film is no different. It
is made fairly clear through not-so-subtle puns that two of the girls (Varla
and Billie) are bisexual, while Rosie is gay and has no interest in men. In
fact, Rosie and Varla are lovers (although this is never explicitly shown, only
heavily implied) and Rosie becomes massively jealous when Varla goes after a
dude. This of course (once again!) covers the ever popular trope that bisexuals
are sex maniacs who are never satisfied with simply one partner of one gender.
Something which Billie’s character explains to Rosie beautifully:
I can turn
myself on a dozen different ways, but you? You’ve only got one channel, and your
channel’s busy tuning in outside. You really should be AM and FM – you one-band
broads are a drag!
Tura Santana as Varla |
Varla, played by the
magnificent Tura Santana, fulfills another popular trope – the depraved bisexual.
She is clearly the most psychopathic and violent of the three women, as their
leader, and her appetite for murder and mayhem is equalled only by her
voracious appetite for sex. I definitely think that bisexuality here is used as
an example of depravity, as Varla makes it clear that she will do anything and
screw anything.
[I want] Everything
– or as much as I can get. Right now you’re first on my list – and I always
start at the top.
Conclusion
This film is not for everybody,
that’s granted. It’s a fairly obscure kind of ‘genre’, and regarded by most as
a quirky B-movie throwback. But the humour, I think, still stands, and the
unashamed hammy acting has only increased its longevity. As a bisexual movie it
would not be the top of any list I made, but it is certainly an excellent
example of the tropes I mentioned.